
Jupigio-Artwork-Gallery
Wickedly Dark Art

Welcome
Welcome to the online home of Julia O'Sullivan, where artistry and imagination converge to create a captivating journey through paintings, sculptures, and literature.
Here, you'll discover a diverse array of subjects brought to life by Julia's unique vision and creative flair. From biblical revelations to the raw emotion of human expression, each piece offers a glimpse into the rich tapestry of life.
So take a moment to immerse yourself in the stories waiting to be told and the worlds waiting to be discovered. Whether you're a seasoned art enthusiast or simply a curious explorer, there's something here for everyone. Welcome to Julia O'Sullivan's artistic universe—where inspiration knows no bounds.
Welcome to the vibrant world of Julia O'Sullivan, where bold colours and sharp lines converge to create contemporary pieces that command attention. With an earthy palette saturated with rich hues, each artwork offers contrasting dramatic scenes that captivate the imagination. Julia's paintings begin as an explosion of chaos, and she slowly tames them into a precision of perfection.
Check out my walking gallery on TikTok. I like to visit different places and take my art to the people.
Read about each painting in their own individual Art Blog.
Check out some of the more exceptional sculptural pieces:
You can witness this event in her up and coming series on the seven deadly sins, visit the blogs now:
Keep up to date with my progress on social media.
Whether you prefer light-hearted subjects or delve into deeper themes, there's something here for every taste and sensibility.
Ready to bring a piece of my artistry into your home? Explore my shop to find your perfect match.
Looking for something more personalised or interested in hiring my artwork? Contact me to discuss your ideas and let's bring your vision to life together.
Check out my showcase gallery below:
The 7 Heads of Mental Health
All these pieces are on display at the Jupigio Artwork Gallery in Kidwelly; contact today for your own private viewing.

The inclusion of butterflies as a representation of the Chaos Theory is particularly poignant. Butterflies often symbolise transformation and change, which can be both beautiful and frightening for those grappling with anxiety. This element suggests that while chaos can lead to growth and new perspectives, it can also feel overwhelming and uncontrollable, reflecting the dual nature of anxiety itself.
The copper rods etched with phrases reflect the way anxiety can distort language and meaning, illustrating how individuals often take statements and spin them into spirals of worry and doubt. This element powerfully represents the phenomenon of rumination, where thoughts can become tangled and magnified, leading to increased distress. The spiral of words beneath the head poignantly captures the cyclical nature of anxious thoughts, visually depicting how one phrase can trigger a cascade of worries that spiral out of control.
Inside the head, the rabbit hole filled with words and phrases evokes the labyrinthine nature of anxious thinking. This imagery speaks to the overwhelming flood of emotions and thoughts that race through the minds of those affected by anxiety, capturing the sense of being trapped in a cycle of worry and fear. The chaotic arrangement of these elements reflects the internal turmoil that individuals often experience, illustrating how anxiety can create a disorienting and consuming reality.
Overall, this sculpture serves as a powerful visual representation of anxiety, conveying the struggle between the desire for order and the inevitability of chaos.

The internal design of the head, featuring never-ending pathways leading toward the light, poignantly represents the elusive nature of recovery. This imagery suggests that while there may be a desire to escape the grips of addiction and reach for healing and hope, the journey is fraught with obstacles and challenges. The pathways’ endlessness underscores the frustration and despair that often characterise the struggle against addiction, as individuals may feel like they are constantly searching for a way out but never quite arriving at their destination.
The chains that bind the head to the base serve as a stark reminder of the weight of addiction, highlighting the ways in which it can imprison individuals within their own minds and bodies. This element emphasises the concept of being "manacled" by one's illness, conveying the sense of entrapment that often accompanies severe addiction. The chains evoke feelings of helplessness and restraint, illustrating how addiction can feel like an inescapable bond that limits one’s freedom and potential.
Through this sculpture, I provide a profound commentary on the dual nature of addiction—the initial allure of euphoria contrasted with the grim reality of entrapment and self-destruction. It serves as a reminder of the challenges faced by those dealing with addiction, often compounded by co-occurring mental health issues.

The head itself serves as a poignant representation of the gradual disintegration of the mind. The imagery of the mind reverting to childhood evokes a sense of nostalgia mixed with sorrow, highlighting how dementia often strips away the rational and mature aspects of a person’s identity, leaving behind fragments of their former self. This regression underscores the tragic irony of the illness—while it may return a person to their childhood state, it simultaneously robs them of their adult experiences and the richness of their personality.
The visual representation of personality draining away, month by month, beautifully illustrates the gradual fading of identity that many families experience. The idea of lights being switched off in different rooms resonates powerfully, evoking the slow and painful process of losing a loved one piece by piece. This metaphor captures the essence of how dementia affects not just the individual, but also their loved ones, as they watch the familiar qualities that defined the person they knew begin to fade away.
Incorporating elements that symbolise the vacant shell of a person adds to the emotional weight of the sculpture. The hollowness depicted in the head serves as a stark reminder of the absence left behind when cognitive functions decline. It evokes feelings of emptiness and sorrow, resonating with the experience of family members who witness their loved ones disappearing into themselves.
The portrayal of lost inhibitions and the shift to more crude or childlike behaviors further emphasises the drastic changes that can occur with dementia. This aspect of the sculpture invites viewers to consider the complexities of personality and how deeply intertwined it is with our cognitive faculties. It encourages a compassionate understanding of how the illness can alter behaviors, often leaving families struggling to reconcile the differences between the person they once knew and the individual they are left with.
Through this sculpture, I honour my father's memory while shedding light on the challenges faced by those living with dementia and their families. My artwork serves as both a reflection of grief and a celebration of the rich life he led, characterised by integrity, humour, and love.

The outer depiction of the head reflects the multifaceted nature of identity, illustrating how people with DID often embody different aspects of themselves as a means of survival. This visualisation emphasises the strength and resilience required to manage such a complex condition, showcasing how these identities can serve protective roles, particularly the child who is safeguarded by the more assertive personas. This notion of protection is significant; it highlights how these identities emerge not merely as a consequence of disorder, but as strategies for coping with severe emotional and psychological pain.
Inside the head, the representation of abuse—sexual, psychological, and physical—provides a stark contrast to the vibrant outer personalities. This depiction serves as a powerful reminder of the root causes of DID and the trauma that leads to the fragmentation of identity. By laying bare the harsh realities faced by individuals with DID, I create an opportunity for viewers to engage with the often invisible struggles of mental health. The internal imagery invites a deeper understanding of how trauma shapes individuals, emphasising that these multiple identities are not random but rather protective responses to overwhelming experiences.

The external representation of the head, showcasing visual hallucinations, effectively captures the chaotic and often distressing experiences that individuals with schizophrenia may face. These visual elements serve not only as a depiction of the condition but also as a metaphor for the overwhelming nature of the symptoms. By presenting these hallucinations in a visually striking way, I invite viewers to engage with the often-hidden struggles that come with this illness, encouraging them to consider how such experiences might feel in a tangible sense.
Inside the head, I depict the auditory hallucinations, which can be particularly tormenting for individuals with schizophrenia. The idea of voices mocking, belittling, or commanding the sufferer adds a layer of emotional depth to your sculpture, illustrating the internal conflict and anguish that can accompany the condition. The harshness of these voices, telling them they are unworthy and urging them toward self-harm, poignantly highlights the mental turmoil faced by many. This representation serves as a powerful reminder of the emotional weight carried by those experiencing such distressing symptoms, fostering a deeper understanding of their reality.

The duality in my sculpture, represented by the two heads, effectively captures the layered experience of living with depression. The first head, adorned with a mask, symbolises the facade that many individuals feel compelled to maintain. This visual representation is striking, as it illustrates the disconnect between external appearances and internal realities. People often put on a brave face to hide their struggles, and your portrayal serves as a powerful reminder of the invisible battles that can rage beneath the surface. The mask signifies the societal pressure to conform to expectations, to appear “normal,” while the reality is often filled with pain and turmoil.
Inside this first head, the imagery of beauty being strangled and absorbed by darkness poignantly conveys the idea of depression suffocating one’s spirit and potential. This powerful metaphor reflects the way in which the illness can distort perceptions of self-worth and joy, leaving individuals feeling trapped in a cycle of despair. My description of the storm raging behind someone’s eyes captures the intense internal struggle faced by many, highlighting the difficulty of truly understanding the depths of another's pain, even when it is visible.
The second head, depicting the caged mind, further emphasises the concept of entrapment often felt by those with depression. The contrast between the bright, free sky and the enclosed space represents the stark difference between the desire for freedom and the limitations imposed by the illness. This visual metaphor beautifully illustrates how depression can lock individuals away from their true selves and aspirations, reinforcing the idea that mental illness can rob people of their potential and happiness.
My personal reflection on the draining nature of living with someone who suffers from depression adds another layer of depth to my work. It acknowledges the emotional toll that mental illness can take on relationships, highlighting the importance of support and understanding from loved ones.

The duality inherent in bipolar disorder is powerfully captured through the mirrored design of the two heads. This artistic choice effectively conveys the contrasting states of mania and depression that characterise the condition. The manic head, vibrant and circus-like, symbolises the exhilaration, creativity, and chaos often experienced during manic episodes. The lively colours and playful imagery evoke the thrill and adrenaline that can accompany these heightened states, illustrating how individuals may feel invincible or euphoric. This representation serves as a celebration of the energy and passion that can emerge during manic phases, while simultaneously hinting at the underlying volatility and unpredictability of these emotions.
In stark contrast, the second head embodies despair and darkness, showcasing the devastating impact of depressive episodes. The broken and muted imagery reflects the emotional turmoil and hopelessness that individuals with bipolar disorder may face during these periods. This visual juxtaposition emphasises the sharp transition between the highs and lows of the illness, allowing viewers to grasp the stark reality of living with such extreme fluctuations. By mirroring the same images but altering their presentation, I highlight how the perception of the world can shift dramatically based on one’s emotional state.
The concept of “push me, pull you” aptly captures the internal struggle faced by those with bipolar disorder. The grotesque representation of one head emerging from the other reinforces the idea that these contrasting experiences are inextricably linked, creating a constant tension within the individual. This visual metaphor effectively communicates the challenges of navigating life with bipolar disorder, where moments of intense joy can quickly give way to profound despair. It emphasises the cyclical nature of the illness and the difficulty of finding stability amidst the chaos.

The inclusion of butterflies as a representation of the Chaos Theory is particularly poignant. Butterflies often symbolise transformation and change, which can be both beautiful and frightening for those grappling with anxiety. This element suggests that while chaos can lead to growth and new perspectives, it can also feel overwhelming and uncontrollable, reflecting the dual nature of anxiety itself.
The copper rods etched with phrases reflect the way anxiety can distort language and meaning, illustrating how individuals often take statements and spin them into spirals of worry and doubt. This element powerfully represents the phenomenon of rumination, where thoughts can become tangled and magnified, leading to increased distress. The spiral of words beneath the head poignantly captures the cyclical nature of anxious thoughts, visually depicting how one phrase can trigger a cascade of worries that spiral out of control.
Inside the head, the rabbit hole filled with words and phrases evokes the labyrinthine nature of anxious thinking. This imagery speaks to the overwhelming flood of emotions and thoughts that race through the minds of those affected by anxiety, capturing the sense of being trapped in a cycle of worry and fear. The chaotic arrangement of these elements reflects the internal turmoil that individuals often experience, illustrating how anxiety can create a disorienting and consuming reality.
Overall, this sculpture serves as a powerful visual representation of anxiety, conveying the struggle between the desire for order and the inevitability of chaos.

The internal design of the head, featuring never-ending pathways leading toward the light, poignantly represents the elusive nature of recovery. This imagery suggests that while there may be a desire to escape the grips of addiction and reach for healing and hope, the journey is fraught with obstacles and challenges. The pathways’ endlessness underscores the frustration and despair that often characterise the struggle against addiction, as individuals may feel like they are constantly searching for a way out but never quite arriving at their destination.
The chains that bind the head to the base serve as a stark reminder of the weight of addiction, highlighting the ways in which it can imprison individuals within their own minds and bodies. This element emphasises the concept of being "manacled" by one's illness, conveying the sense of entrapment that often accompanies severe addiction. The chains evoke feelings of helplessness and restraint, illustrating how addiction can feel like an inescapable bond that limits one’s freedom and potential.
Through this sculpture, I provide a profound commentary on the dual nature of addiction—the initial allure of euphoria contrasted with the grim reality of entrapment and self-destruction. It serves as a reminder of the challenges faced by those dealing with addiction, often compounded by co-occurring mental health issues.

The head itself serves as a poignant representation of the gradual disintegration of the mind. The imagery of the mind reverting to childhood evokes a sense of nostalgia mixed with sorrow, highlighting how dementia often strips away the rational and mature aspects of a person’s identity, leaving behind fragments of their former self. This regression underscores the tragic irony of the illness—while it may return a person to their childhood state, it simultaneously robs them of their adult experiences and the richness of their personality.
The visual representation of personality draining away, month by month, beautifully illustrates the gradual fading of identity that many families experience. The idea of lights being switched off in different rooms resonates powerfully, evoking the slow and painful process of losing a loved one piece by piece. This metaphor captures the essence of how dementia affects not just the individual, but also their loved ones, as they watch the familiar qualities that defined the person they knew begin to fade away.
Incorporating elements that symbolise the vacant shell of a person adds to the emotional weight of the sculpture. The hollowness depicted in the head serves as a stark reminder of the absence left behind when cognitive functions decline. It evokes feelings of emptiness and sorrow, resonating with the experience of family members who witness their loved ones disappearing into themselves.
The portrayal of lost inhibitions and the shift to more crude or childlike behaviors further emphasises the drastic changes that can occur with dementia. This aspect of the sculpture invites viewers to consider the complexities of personality and how deeply intertwined it is with our cognitive faculties. It encourages a compassionate understanding of how the illness can alter behaviors, often leaving families struggling to reconcile the differences between the person they once knew and the individual they are left with.
Through this sculpture, I honour my father's memory while shedding light on the challenges faced by those living with dementia and their families. My artwork serves as both a reflection of grief and a celebration of the rich life he led, characterised by integrity, humour, and love.

The outer depiction of the head reflects the multifaceted nature of identity, illustrating how people with DID often embody different aspects of themselves as a means of survival. This visualisation emphasises the strength and resilience required to manage such a complex condition, showcasing how these identities can serve protective roles, particularly the child who is safeguarded by the more assertive personas. This notion of protection is significant; it highlights how these identities emerge not merely as a consequence of disorder, but as strategies for coping with severe emotional and psychological pain.
Inside the head, the representation of abuse—sexual, psychological, and physical—provides a stark contrast to the vibrant outer personalities. This depiction serves as a powerful reminder of the root causes of DID and the trauma that leads to the fragmentation of identity. By laying bare the harsh realities faced by individuals with DID, I create an opportunity for viewers to engage with the often invisible struggles of mental health. The internal imagery invites a deeper understanding of how trauma shapes individuals, emphasising that these multiple identities are not random but rather protective responses to overwhelming experiences.

The external representation of the head, showcasing visual hallucinations, effectively captures the chaotic and often distressing experiences that individuals with schizophrenia may face. These visual elements serve not only as a depiction of the condition but also as a metaphor for the overwhelming nature of the symptoms. By presenting these hallucinations in a visually striking way, I invite viewers to engage with the often-hidden struggles that come with this illness, encouraging them to consider how such experiences might feel in a tangible sense.
Inside the head, I depict the auditory hallucinations, which can be particularly tormenting for individuals with schizophrenia. The idea of voices mocking, belittling, or commanding the sufferer adds a layer of emotional depth to your sculpture, illustrating the internal conflict and anguish that can accompany the condition. The harshness of these voices, telling them they are unworthy and urging them toward self-harm, poignantly highlights the mental turmoil faced by many. This representation serves as a powerful reminder of the emotional weight carried by those experiencing such distressing symptoms, fostering a deeper understanding of their reality.

The duality in my sculpture, represented by the two heads, effectively captures the layered experience of living with depression. The first head, adorned with a mask, symbolises the facade that many individuals feel compelled to maintain. This visual representation is striking, as it illustrates the disconnect between external appearances and internal realities. People often put on a brave face to hide their struggles, and your portrayal serves as a powerful reminder of the invisible battles that can rage beneath the surface. The mask signifies the societal pressure to conform to expectations, to appear “normal,” while the reality is often filled with pain and turmoil.
Inside this first head, the imagery of beauty being strangled and absorbed by darkness poignantly conveys the idea of depression suffocating one’s spirit and potential. This powerful metaphor reflects the way in which the illness can distort perceptions of self-worth and joy, leaving individuals feeling trapped in a cycle of despair. My description of the storm raging behind someone’s eyes captures the intense internal struggle faced by many, highlighting the difficulty of truly understanding the depths of another's pain, even when it is visible.
The second head, depicting the caged mind, further emphasises the concept of entrapment often felt by those with depression. The contrast between the bright, free sky and the enclosed space represents the stark difference between the desire for freedom and the limitations imposed by the illness. This visual metaphor beautifully illustrates how depression can lock individuals away from their true selves and aspirations, reinforcing the idea that mental illness can rob people of their potential and happiness.
My personal reflection on the draining nature of living with someone who suffers from depression adds another layer of depth to my work. It acknowledges the emotional toll that mental illness can take on relationships, highlighting the importance of support and understanding from loved ones.

The duality inherent in bipolar disorder is powerfully captured through the mirrored design of the two heads. This artistic choice effectively conveys the contrasting states of mania and depression that characterise the condition. The manic head, vibrant and circus-like, symbolises the exhilaration, creativity, and chaos often experienced during manic episodes. The lively colours and playful imagery evoke the thrill and adrenaline that can accompany these heightened states, illustrating how individuals may feel invincible or euphoric. This representation serves as a celebration of the energy and passion that can emerge during manic phases, while simultaneously hinting at the underlying volatility and unpredictability of these emotions.
In stark contrast, the second head embodies despair and darkness, showcasing the devastating impact of depressive episodes. The broken and muted imagery reflects the emotional turmoil and hopelessness that individuals with bipolar disorder may face during these periods. This visual juxtaposition emphasises the sharp transition between the highs and lows of the illness, allowing viewers to grasp the stark reality of living with such extreme fluctuations. By mirroring the same images but altering their presentation, I highlight how the perception of the world can shift dramatically based on one’s emotional state.
The concept of “push me, pull you” aptly captures the internal struggle faced by those with bipolar disorder. The grotesque representation of one head emerging from the other reinforces the idea that these contrasting experiences are inextricably linked, creating a constant tension within the individual. This visual metaphor effectively communicates the challenges of navigating life with bipolar disorder, where moments of intense joy can quickly give way to profound despair. It emphasises the cyclical nature of the illness and the difficulty of finding stability amidst the chaos.

The inclusion of butterflies as a representation of the Chaos Theory is particularly poignant. Butterflies often symbolise transformation and change, which can be both beautiful and frightening for those grappling with anxiety. This element suggests that while chaos can lead to growth and new perspectives, it can also feel overwhelming and uncontrollable, reflecting the dual nature of anxiety itself.
The copper rods etched with phrases reflect the way anxiety can distort language and meaning, illustrating how individuals often take statements and spin them into spirals of worry and doubt. This element powerfully represents the phenomenon of rumination, where thoughts can become tangled and magnified, leading to increased distress. The spiral of words beneath the head poignantly captures the cyclical nature of anxious thoughts, visually depicting how one phrase can trigger a cascade of worries that spiral out of control.
Inside the head, the rabbit hole filled with words and phrases evokes the labyrinthine nature of anxious thinking. This imagery speaks to the overwhelming flood of emotions and thoughts that race through the minds of those affected by anxiety, capturing the sense of being trapped in a cycle of worry and fear. The chaotic arrangement of these elements reflects the internal turmoil that individuals often experience, illustrating how anxiety can create a disorienting and consuming reality.
Overall, this sculpture serves as a powerful visual representation of anxiety, conveying the struggle between the desire for order and the inevitability of chaos.

The internal design of the head, featuring never-ending pathways leading toward the light, poignantly represents the elusive nature of recovery. This imagery suggests that while there may be a desire to escape the grips of addiction and reach for healing and hope, the journey is fraught with obstacles and challenges. The pathways’ endlessness underscores the frustration and despair that often characterise the struggle against addiction, as individuals may feel like they are constantly searching for a way out but never quite arriving at their destination.
The chains that bind the head to the base serve as a stark reminder of the weight of addiction, highlighting the ways in which it can imprison individuals within their own minds and bodies. This element emphasises the concept of being "manacled" by one's illness, conveying the sense of entrapment that often accompanies severe addiction. The chains evoke feelings of helplessness and restraint, illustrating how addiction can feel like an inescapable bond that limits one’s freedom and potential.
Through this sculpture, I provide a profound commentary on the dual nature of addiction—the initial allure of euphoria contrasted with the grim reality of entrapment and self-destruction. It serves as a reminder of the challenges faced by those dealing with addiction, often compounded by co-occurring mental health issues.

The head itself serves as a poignant representation of the gradual disintegration of the mind. The imagery of the mind reverting to childhood evokes a sense of nostalgia mixed with sorrow, highlighting how dementia often strips away the rational and mature aspects of a person’s identity, leaving behind fragments of their former self. This regression underscores the tragic irony of the illness—while it may return a person to their childhood state, it simultaneously robs them of their adult experiences and the richness of their personality.
The visual representation of personality draining away, month by month, beautifully illustrates the gradual fading of identity that many families experience. The idea of lights being switched off in different rooms resonates powerfully, evoking the slow and painful process of losing a loved one piece by piece. This metaphor captures the essence of how dementia affects not just the individual, but also their loved ones, as they watch the familiar qualities that defined the person they knew begin to fade away.
Incorporating elements that symbolise the vacant shell of a person adds to the emotional weight of the sculpture. The hollowness depicted in the head serves as a stark reminder of the absence left behind when cognitive functions decline. It evokes feelings of emptiness and sorrow, resonating with the experience of family members who witness their loved ones disappearing into themselves.
The portrayal of lost inhibitions and the shift to more crude or childlike behaviors further emphasises the drastic changes that can occur with dementia. This aspect of the sculpture invites viewers to consider the complexities of personality and how deeply intertwined it is with our cognitive faculties. It encourages a compassionate understanding of how the illness can alter behaviors, often leaving families struggling to reconcile the differences between the person they once knew and the individual they are left with.
Through this sculpture, I honour my father's memory while shedding light on the challenges faced by those living with dementia and their families. My artwork serves as both a reflection of grief and a celebration of the rich life he led, characterised by integrity, humour, and love.

The outer depiction of the head reflects the multifaceted nature of identity, illustrating how people with DID often embody different aspects of themselves as a means of survival. This visualisation emphasises the strength and resilience required to manage such a complex condition, showcasing how these identities can serve protective roles, particularly the child who is safeguarded by the more assertive personas. This notion of protection is significant; it highlights how these identities emerge not merely as a consequence of disorder, but as strategies for coping with severe emotional and psychological pain.
Inside the head, the representation of abuse—sexual, psychological, and physical—provides a stark contrast to the vibrant outer personalities. This depiction serves as a powerful reminder of the root causes of DID and the trauma that leads to the fragmentation of identity. By laying bare the harsh realities faced by individuals with DID, I create an opportunity for viewers to engage with the often invisible struggles of mental health. The internal imagery invites a deeper understanding of how trauma shapes individuals, emphasising that these multiple identities are not random but rather protective responses to overwhelming experiences.

The external representation of the head, showcasing visual hallucinations, effectively captures the chaotic and often distressing experiences that individuals with schizophrenia may face. These visual elements serve not only as a depiction of the condition but also as a metaphor for the overwhelming nature of the symptoms. By presenting these hallucinations in a visually striking way, I invite viewers to engage with the often-hidden struggles that come with this illness, encouraging them to consider how such experiences might feel in a tangible sense.
Inside the head, I depict the auditory hallucinations, which can be particularly tormenting for individuals with schizophrenia. The idea of voices mocking, belittling, or commanding the sufferer adds a layer of emotional depth to your sculpture, illustrating the internal conflict and anguish that can accompany the condition. The harshness of these voices, telling them they are unworthy and urging them toward self-harm, poignantly highlights the mental turmoil faced by many. This representation serves as a powerful reminder of the emotional weight carried by those experiencing such distressing symptoms, fostering a deeper understanding of their reality.

The duality in my sculpture, represented by the two heads, effectively captures the layered experience of living with depression. The first head, adorned with a mask, symbolises the facade that many individuals feel compelled to maintain. This visual representation is striking, as it illustrates the disconnect between external appearances and internal realities. People often put on a brave face to hide their struggles, and your portrayal serves as a powerful reminder of the invisible battles that can rage beneath the surface. The mask signifies the societal pressure to conform to expectations, to appear “normal,” while the reality is often filled with pain and turmoil.
Inside this first head, the imagery of beauty being strangled and absorbed by darkness poignantly conveys the idea of depression suffocating one’s spirit and potential. This powerful metaphor reflects the way in which the illness can distort perceptions of self-worth and joy, leaving individuals feeling trapped in a cycle of despair. My description of the storm raging behind someone’s eyes captures the intense internal struggle faced by many, highlighting the difficulty of truly understanding the depths of another's pain, even when it is visible.
The second head, depicting the caged mind, further emphasises the concept of entrapment often felt by those with depression. The contrast between the bright, free sky and the enclosed space represents the stark difference between the desire for freedom and the limitations imposed by the illness. This visual metaphor beautifully illustrates how depression can lock individuals away from their true selves and aspirations, reinforcing the idea that mental illness can rob people of their potential and happiness.
My personal reflection on the draining nature of living with someone who suffers from depression adds another layer of depth to my work. It acknowledges the emotional toll that mental illness can take on relationships, highlighting the importance of support and understanding from loved ones.

The duality inherent in bipolar disorder is powerfully captured through the mirrored design of the two heads. This artistic choice effectively conveys the contrasting states of mania and depression that characterise the condition. The manic head, vibrant and circus-like, symbolises the exhilaration, creativity, and chaos often experienced during manic episodes. The lively colours and playful imagery evoke the thrill and adrenaline that can accompany these heightened states, illustrating how individuals may feel invincible or euphoric. This representation serves as a celebration of the energy and passion that can emerge during manic phases, while simultaneously hinting at the underlying volatility and unpredictability of these emotions.
In stark contrast, the second head embodies despair and darkness, showcasing the devastating impact of depressive episodes. The broken and muted imagery reflects the emotional turmoil and hopelessness that individuals with bipolar disorder may face during these periods. This visual juxtaposition emphasises the sharp transition between the highs and lows of the illness, allowing viewers to grasp the stark reality of living with such extreme fluctuations. By mirroring the same images but altering their presentation, I highlight how the perception of the world can shift dramatically based on one’s emotional state.
The concept of “push me, pull you” aptly captures the internal struggle faced by those with bipolar disorder. The grotesque representation of one head emerging from the other reinforces the idea that these contrasting experiences are inextricably linked, creating a constant tension within the individual. This visual metaphor effectively communicates the challenges of navigating life with bipolar disorder, where moments of intense joy can quickly give way to profound despair. It emphasises the cyclical nature of the illness and the difficulty of finding stability amidst the chaos.

The inclusion of butterflies as a representation of the Chaos Theory is particularly poignant. Butterflies often symbolise transformation and change, which can be both beautiful and frightening for those grappling with anxiety. This element suggests that while chaos can lead to growth and new perspectives, it can also feel overwhelming and uncontrollable, reflecting the dual nature of anxiety itself.
The copper rods etched with phrases reflect the way anxiety can distort language and meaning, illustrating how individuals often take statements and spin them into spirals of worry and doubt. This element powerfully represents the phenomenon of rumination, where thoughts can become tangled and magnified, leading to increased distress. The spiral of words beneath the head poignantly captures the cyclical nature of anxious thoughts, visually depicting how one phrase can trigger a cascade of worries that spiral out of control.
Inside the head, the rabbit hole filled with words and phrases evokes the labyrinthine nature of anxious thinking. This imagery speaks to the overwhelming flood of emotions and thoughts that race through the minds of those affected by anxiety, capturing the sense of being trapped in a cycle of worry and fear. The chaotic arrangement of these elements reflects the internal turmoil that individuals often experience, illustrating how anxiety can create a disorienting and consuming reality.
Overall, this sculpture serves as a powerful visual representation of anxiety, conveying the struggle between the desire for order and the inevitability of chaos.

The internal design of the head, featuring never-ending pathways leading toward the light, poignantly represents the elusive nature of recovery. This imagery suggests that while there may be a desire to escape the grips of addiction and reach for healing and hope, the journey is fraught with obstacles and challenges. The pathways’ endlessness underscores the frustration and despair that often characterise the struggle against addiction, as individuals may feel like they are constantly searching for a way out but never quite arriving at their destination.
The chains that bind the head to the base serve as a stark reminder of the weight of addiction, highlighting the ways in which it can imprison individuals within their own minds and bodies. This element emphasises the concept of being "manacled" by one's illness, conveying the sense of entrapment that often accompanies severe addiction. The chains evoke feelings of helplessness and restraint, illustrating how addiction can feel like an inescapable bond that limits one’s freedom and potential.
Through this sculpture, I provide a profound commentary on the dual nature of addiction—the initial allure of euphoria contrasted with the grim reality of entrapment and self-destruction. It serves as a reminder of the challenges faced by those dealing with addiction, often compounded by co-occurring mental health issues.

The head itself serves as a poignant representation of the gradual disintegration of the mind. The imagery of the mind reverting to childhood evokes a sense of nostalgia mixed with sorrow, highlighting how dementia often strips away the rational and mature aspects of a person’s identity, leaving behind fragments of their former self. This regression underscores the tragic irony of the illness—while it may return a person to their childhood state, it simultaneously robs them of their adult experiences and the richness of their personality.
The visual representation of personality draining away, month by month, beautifully illustrates the gradual fading of identity that many families experience. The idea of lights being switched off in different rooms resonates powerfully, evoking the slow and painful process of losing a loved one piece by piece. This metaphor captures the essence of how dementia affects not just the individual, but also their loved ones, as they watch the familiar qualities that defined the person they knew begin to fade away.
Incorporating elements that symbolise the vacant shell of a person adds to the emotional weight of the sculpture. The hollowness depicted in the head serves as a stark reminder of the absence left behind when cognitive functions decline. It evokes feelings of emptiness and sorrow, resonating with the experience of family members who witness their loved ones disappearing into themselves.
The portrayal of lost inhibitions and the shift to more crude or childlike behaviors further emphasises the drastic changes that can occur with dementia. This aspect of the sculpture invites viewers to consider the complexities of personality and how deeply intertwined it is with our cognitive faculties. It encourages a compassionate understanding of how the illness can alter behaviors, often leaving families struggling to reconcile the differences between the person they once knew and the individual they are left with.
Through this sculpture, I honour my father's memory while shedding light on the challenges faced by those living with dementia and their families. My artwork serves as both a reflection of grief and a celebration of the rich life he led, characterised by integrity, humour, and love.

The outer depiction of the head reflects the multifaceted nature of identity, illustrating how people with DID often embody different aspects of themselves as a means of survival. This visualisation emphasises the strength and resilience required to manage such a complex condition, showcasing how these identities can serve protective roles, particularly the child who is safeguarded by the more assertive personas. This notion of protection is significant; it highlights how these identities emerge not merely as a consequence of disorder, but as strategies for coping with severe emotional and psychological pain.
Inside the head, the representation of abuse—sexual, psychological, and physical—provides a stark contrast to the vibrant outer personalities. This depiction serves as a powerful reminder of the root causes of DID and the trauma that leads to the fragmentation of identity. By laying bare the harsh realities faced by individuals with DID, I create an opportunity for viewers to engage with the often invisible struggles of mental health. The internal imagery invites a deeper understanding of how trauma shapes individuals, emphasising that these multiple identities are not random but rather protective responses to overwhelming experiences.

The external representation of the head, showcasing visual hallucinations, effectively captures the chaotic and often distressing experiences that individuals with schizophrenia may face. These visual elements serve not only as a depiction of the condition but also as a metaphor for the overwhelming nature of the symptoms. By presenting these hallucinations in a visually striking way, I invite viewers to engage with the often-hidden struggles that come with this illness, encouraging them to consider how such experiences might feel in a tangible sense.
Inside the head, I depict the auditory hallucinations, which can be particularly tormenting for individuals with schizophrenia. The idea of voices mocking, belittling, or commanding the sufferer adds a layer of emotional depth to your sculpture, illustrating the internal conflict and anguish that can accompany the condition. The harshness of these voices, telling them they are unworthy and urging them toward self-harm, poignantly highlights the mental turmoil faced by many. This representation serves as a powerful reminder of the emotional weight carried by those experiencing such distressing symptoms, fostering a deeper understanding of their reality.

The duality in my sculpture, represented by the two heads, effectively captures the layered experience of living with depression. The first head, adorned with a mask, symbolises the facade that many individuals feel compelled to maintain. This visual representation is striking, as it illustrates the disconnect between external appearances and internal realities. People often put on a brave face to hide their struggles, and your portrayal serves as a powerful reminder of the invisible battles that can rage beneath the surface. The mask signifies the societal pressure to conform to expectations, to appear “normal,” while the reality is often filled with pain and turmoil.
Inside this first head, the imagery of beauty being strangled and absorbed by darkness poignantly conveys the idea of depression suffocating one’s spirit and potential. This powerful metaphor reflects the way in which the illness can distort perceptions of self-worth and joy, leaving individuals feeling trapped in a cycle of despair. My description of the storm raging behind someone’s eyes captures the intense internal struggle faced by many, highlighting the difficulty of truly understanding the depths of another's pain, even when it is visible.
The second head, depicting the caged mind, further emphasises the concept of entrapment often felt by those with depression. The contrast between the bright, free sky and the enclosed space represents the stark difference between the desire for freedom and the limitations imposed by the illness. This visual metaphor beautifully illustrates how depression can lock individuals away from their true selves and aspirations, reinforcing the idea that mental illness can rob people of their potential and happiness.
My personal reflection on the draining nature of living with someone who suffers from depression adds another layer of depth to my work. It acknowledges the emotional toll that mental illness can take on relationships, highlighting the importance of support and understanding from loved ones.

The duality inherent in bipolar disorder is powerfully captured through the mirrored design of the two heads. This artistic choice effectively conveys the contrasting states of mania and depression that characterise the condition. The manic head, vibrant and circus-like, symbolises the exhilaration, creativity, and chaos often experienced during manic episodes. The lively colours and playful imagery evoke the thrill and adrenaline that can accompany these heightened states, illustrating how individuals may feel invincible or euphoric. This representation serves as a celebration of the energy and passion that can emerge during manic phases, while simultaneously hinting at the underlying volatility and unpredictability of these emotions.
In stark contrast, the second head embodies despair and darkness, showcasing the devastating impact of depressive episodes. The broken and muted imagery reflects the emotional turmoil and hopelessness that individuals with bipolar disorder may face during these periods. This visual juxtaposition emphasises the sharp transition between the highs and lows of the illness, allowing viewers to grasp the stark reality of living with such extreme fluctuations. By mirroring the same images but altering their presentation, I highlight how the perception of the world can shift dramatically based on one’s emotional state.
The concept of “push me, pull you” aptly captures the internal struggle faced by those with bipolar disorder. The grotesque representation of one head emerging from the other reinforces the idea that these contrasting experiences are inextricably linked, creating a constant tension within the individual. This visual metaphor effectively communicates the challenges of navigating life with bipolar disorder, where moments of intense joy can quickly give way to profound despair. It emphasises the cyclical nature of the illness and the difficulty of finding stability amidst the chaos.

The inclusion of butterflies as a representation of the Chaos Theory is particularly poignant. Butterflies often symbolise transformation and change, which can be both beautiful and frightening for those grappling with anxiety. This element suggests that while chaos can lead to growth and new perspectives, it can also feel overwhelming and uncontrollable, reflecting the dual nature of anxiety itself.
The copper rods etched with phrases reflect the way anxiety can distort language and meaning, illustrating how individuals often take statements and spin them into spirals of worry and doubt. This element powerfully represents the phenomenon of rumination, where thoughts can become tangled and magnified, leading to increased distress. The spiral of words beneath the head poignantly captures the cyclical nature of anxious thoughts, visually depicting how one phrase can trigger a cascade of worries that spiral out of control.
Inside the head, the rabbit hole filled with words and phrases evokes the labyrinthine nature of anxious thinking. This imagery speaks to the overwhelming flood of emotions and thoughts that race through the minds of those affected by anxiety, capturing the sense of being trapped in a cycle of worry and fear. The chaotic arrangement of these elements reflects the internal turmoil that individuals often experience, illustrating how anxiety can create a disorienting and consuming reality.
Overall, this sculpture serves as a powerful visual representation of anxiety, conveying the struggle between the desire for order and the inevitability of chaos.

The internal design of the head, featuring never-ending pathways leading toward the light, poignantly represents the elusive nature of recovery. This imagery suggests that while there may be a desire to escape the grips of addiction and reach for healing and hope, the journey is fraught with obstacles and challenges. The pathways’ endlessness underscores the frustration and despair that often characterise the struggle against addiction, as individuals may feel like they are constantly searching for a way out but never quite arriving at their destination.
The chains that bind the head to the base serve as a stark reminder of the weight of addiction, highlighting the ways in which it can imprison individuals within their own minds and bodies. This element emphasises the concept of being "manacled" by one's illness, conveying the sense of entrapment that often accompanies severe addiction. The chains evoke feelings of helplessness and restraint, illustrating how addiction can feel like an inescapable bond that limits one’s freedom and potential.
Through this sculpture, I provide a profound commentary on the dual nature of addiction—the initial allure of euphoria contrasted with the grim reality of entrapment and self-destruction. It serves as a reminder of the challenges faced by those dealing with addiction, often compounded by co-occurring mental health issues.

The head itself serves as a poignant representation of the gradual disintegration of the mind. The imagery of the mind reverting to childhood evokes a sense of nostalgia mixed with sorrow, highlighting how dementia often strips away the rational and mature aspects of a person’s identity, leaving behind fragments of their former self. This regression underscores the tragic irony of the illness—while it may return a person to their childhood state, it simultaneously robs them of their adult experiences and the richness of their personality.
The visual representation of personality draining away, month by month, beautifully illustrates the gradual fading of identity that many families experience. The idea of lights being switched off in different rooms resonates powerfully, evoking the slow and painful process of losing a loved one piece by piece. This metaphor captures the essence of how dementia affects not just the individual, but also their loved ones, as they watch the familiar qualities that defined the person they knew begin to fade away.
Incorporating elements that symbolise the vacant shell of a person adds to the emotional weight of the sculpture. The hollowness depicted in the head serves as a stark reminder of the absence left behind when cognitive functions decline. It evokes feelings of emptiness and sorrow, resonating with the experience of family members who witness their loved ones disappearing into themselves.
The portrayal of lost inhibitions and the shift to more crude or childlike behaviors further emphasises the drastic changes that can occur with dementia. This aspect of the sculpture invites viewers to consider the complexities of personality and how deeply intertwined it is with our cognitive faculties. It encourages a compassionate understanding of how the illness can alter behaviors, often leaving families struggling to reconcile the differences between the person they once knew and the individual they are left with.
Through this sculpture, I honour my father's memory while shedding light on the challenges faced by those living with dementia and their families. My artwork serves as both a reflection of grief and a celebration of the rich life he led, characterised by integrity, humour, and love.

The outer depiction of the head reflects the multifaceted nature of identity, illustrating how people with DID often embody different aspects of themselves as a means of survival. This visualisation emphasises the strength and resilience required to manage such a complex condition, showcasing how these identities can serve protective roles, particularly the child who is safeguarded by the more assertive personas. This notion of protection is significant; it highlights how these identities emerge not merely as a consequence of disorder, but as strategies for coping with severe emotional and psychological pain.
Inside the head, the representation of abuse—sexual, psychological, and physical—provides a stark contrast to the vibrant outer personalities. This depiction serves as a powerful reminder of the root causes of DID and the trauma that leads to the fragmentation of identity. By laying bare the harsh realities faced by individuals with DID, I create an opportunity for viewers to engage with the often invisible struggles of mental health. The internal imagery invites a deeper understanding of how trauma shapes individuals, emphasising that these multiple identities are not random but rather protective responses to overwhelming experiences.

The external representation of the head, showcasing visual hallucinations, effectively captures the chaotic and often distressing experiences that individuals with schizophrenia may face. These visual elements serve not only as a depiction of the condition but also as a metaphor for the overwhelming nature of the symptoms. By presenting these hallucinations in a visually striking way, I invite viewers to engage with the often-hidden struggles that come with this illness, encouraging them to consider how such experiences might feel in a tangible sense.
Inside the head, I depict the auditory hallucinations, which can be particularly tormenting for individuals with schizophrenia. The idea of voices mocking, belittling, or commanding the sufferer adds a layer of emotional depth to your sculpture, illustrating the internal conflict and anguish that can accompany the condition. The harshness of these voices, telling them they are unworthy and urging them toward self-harm, poignantly highlights the mental turmoil faced by many. This representation serves as a powerful reminder of the emotional weight carried by those experiencing such distressing symptoms, fostering a deeper understanding of their reality.

The duality in my sculpture, represented by the two heads, effectively captures the layered experience of living with depression. The first head, adorned with a mask, symbolises the facade that many individuals feel compelled to maintain. This visual representation is striking, as it illustrates the disconnect between external appearances and internal realities. People often put on a brave face to hide their struggles, and your portrayal serves as a powerful reminder of the invisible battles that can rage beneath the surface. The mask signifies the societal pressure to conform to expectations, to appear “normal,” while the reality is often filled with pain and turmoil.
Inside this first head, the imagery of beauty being strangled and absorbed by darkness poignantly conveys the idea of depression suffocating one’s spirit and potential. This powerful metaphor reflects the way in which the illness can distort perceptions of self-worth and joy, leaving individuals feeling trapped in a cycle of despair. My description of the storm raging behind someone’s eyes captures the intense internal struggle faced by many, highlighting the difficulty of truly understanding the depths of another's pain, even when it is visible.
The second head, depicting the caged mind, further emphasises the concept of entrapment often felt by those with depression. The contrast between the bright, free sky and the enclosed space represents the stark difference between the desire for freedom and the limitations imposed by the illness. This visual metaphor beautifully illustrates how depression can lock individuals away from their true selves and aspirations, reinforcing the idea that mental illness can rob people of their potential and happiness.
My personal reflection on the draining nature of living with someone who suffers from depression adds another layer of depth to my work. It acknowledges the emotional toll that mental illness can take on relationships, highlighting the importance of support and understanding from loved ones.

The duality inherent in bipolar disorder is powerfully captured through the mirrored design of the two heads. This artistic choice effectively conveys the contrasting states of mania and depression that characterise the condition. The manic head, vibrant and circus-like, symbolises the exhilaration, creativity, and chaos often experienced during manic episodes. The lively colours and playful imagery evoke the thrill and adrenaline that can accompany these heightened states, illustrating how individuals may feel invincible or euphoric. This representation serves as a celebration of the energy and passion that can emerge during manic phases, while simultaneously hinting at the underlying volatility and unpredictability of these emotions.
In stark contrast, the second head embodies despair and darkness, showcasing the devastating impact of depressive episodes. The broken and muted imagery reflects the emotional turmoil and hopelessness that individuals with bipolar disorder may face during these periods. This visual juxtaposition emphasises the sharp transition between the highs and lows of the illness, allowing viewers to grasp the stark reality of living with such extreme fluctuations. By mirroring the same images but altering their presentation, I highlight how the perception of the world can shift dramatically based on one’s emotional state.
The concept of “push me, pull you” aptly captures the internal struggle faced by those with bipolar disorder. The grotesque representation of one head emerging from the other reinforces the idea that these contrasting experiences are inextricably linked, creating a constant tension within the individual. This visual metaphor effectively communicates the challenges of navigating life with bipolar disorder, where moments of intense joy can quickly give way to profound despair. It emphasises the cyclical nature of the illness and the difficulty of finding stability amidst the chaos.